B. 2001

Emirati visual artist Ziad Al Najjar’s exploratory approach to two and three-dimensional art aims to upturn fixed notions surrounding process, materiality, and visual perception.

Establishing an interplay between organic and inorganic forms Al Najjar infuses his symbolically dense work with icons and influence from the natural world. The artist considers the connectedness between the natural, constructed and spiritual realms and how they relate to his lived experience in the contemporary moment. The Islamic miniatures made familiar to him during his childhood regularly appear as motifs within his practice. Scenes of battle, the banal and spiritual practices are often poetically depicted in orchards or gardens. Al Najjar summons this world into his art infusing it with his recent experiences of flora, fauna, or soft shapes that resemble cells under a microfine glass. Delicate and sensual organic forms - some representational some abstract - ungulate across the artist’s canvas. Translation and tension - between past and present, structure and wildness - are central to this work.